Moon Knight #1
Deanpool was pretty excited about this Marvel Now debut. Moon Knight isn't one of the most exciting Marvel characters based off first impression, but he has his own appeal.
The intro starts off with a lot of dialogue about Moon Knight. Things like rumors and legends, a lot of hearsay of other people recounting stories of the Moon Knight. One theory was that Moon Knight had Dissociative Identity Disorder (DID) previously known as multiple personality disorder. Some talk about his origin with the Egyptian god, Khonshu.
When we finally see Moon Knight arriving at the crime scene, we see a completely different, redone Moon Knight. No more cape and hood type thing, which means he gave up the whole ghostly look he had going on in earlier, more popular versions of Moon Knight. Instead we see him in an all white suit (like "suit and tie" type of suit) with a mask covering his whole face and the crescent moon symbol between the eyes. The whole comic sets their noir, detective tone right from the start. The artwork is very gritty and dark, showing a very distinct contrast to Moon Knight's all white appearance. The storytelling even has a very detective-like feel to it. Murder scene, mysterious killer, Moon Knight carefully deducing clues that no one else can catch. Lots of similarities to DC's Detective Comics, only Batman has a much bigger fan base and more interesting foes. Nonetheless, we dive into this murder mystery. Someone is going around slashing people, literally taking chunks and pieces of innocent people and leaving the rest. Moon Knight tracks down the killer into the sewers and discovers it's an ex-SHIELD agent who was injured in action. The agent cured himself using illegal supplies that doctors wouldn't sue on him and as a result, it turned him into a hideous looking monster. The agent would track down fit people, kill them and essentially take pieces of them and paste them into his own body using exotic medical machinery.
Much like the ancient Egyptian god, Khonshu, Moon Knight stands up for the overnight travelers. He accuses the SHIELD agent of harming innocent overnight travelers. In a fast sequence of events of what originally appeared like simple dialogue between the two characters, Moon Knight reveals that during the conversation he took out one of the agent's machines (that he was pretty dependent on) without him noticing with his moon-shaped disc. It's very similar again to Batman and his Batarangs. Moon Knight even uses them to deflect the agent's bullets. Soon after, Moon Knight finished the fight with ease. Not a bad first issue if you can make yourself look as badass as Batman, and do it in an all-white suit.
This is a much grittier Moon Knight, and came out on his first issue more badass than ever. Deanpool likes the storytelling and is very interested in learning more about this version of the character. Maybe a hero spotlight soon? 8.5/10 DIDs.
Magneto #1
Deanpool loves stories/series where bad guys don't believe they are bad guys, especially when it's done right. DC's New 52 Green Lantern Vol. 1 where Sinestro was a Green Lantern again; DC's Forever Evil event; the new Loki: Agent of Asgard ongoing series. Okay those are the only two examples Deanpool can come up with at the moment, but he's hopeful that this series can be added to this list!
Anyways, as the issue goes on, it follows his actions in this motel room. He mentions that he's been hiding out in there, paying off maids to keep quiet about his presence, that kind of stuff. He also brings up how he's rarely recognized without his iconic helmet. In his motel room, Magneto has a set up of newspaper clippings and a map all connecting to deaths of mutants. He admits his resources are limited, but still manages to stay one step ahead of groups like SHIELD. Again, it's quite clear Magneto is on a vengeance for innocent mutants. He figures out his next killer, someone who murdered three mutants. But unexpectedly, the killer turned himself over to the authorities, complicating Magneto's mission a little.
When he enters the police station, the artist shows the metal items around him as Magneto identifies them. Again, Magneto's monologue talks about the different personas he has taken up: terrorist, savior, hero, villain. But instead of being stealthy, he uses his powers in the middle of the station, using all the metal in the room to form a new iconic Magneto helmet for himself. When he apporaches the killer in his cell for murdering those mutants, the man actually turns out to be a hybrid version of the Omega Sentinels! Cybernetics fused with human muscle and one, developed with a single purpose: hunt and destory. To kill mutants. Magneto deals with this surprise by ripping the metal from the man's flesh. Magneto notes that someone must have turned him into that machine, making him as much a victim as the mutants he killed. As the boy dies, he mutters a few words, "I'm not a killer... I couldn't stop myself... it was like i was on autopilot."
Wolverine and the X-Men #1
Okay, Deanpool doesn't want to be too harsh, but this issue did not stick with him at all. So warning everyone now, this review may feel very detached and make the comic seem boring... but the more appropriate way of phrasing it is "it wasn't Deanpool's cup of tea."
The story continues to jump around to different scenes for different characters throughout the school. It feels similar to an after school, high school show: cafeteria scene, physical education scene, students wearing uniforms, students gossiping about recent news. A young mutant named Rockslide is seen trying to kill bamfs, no not Bad ass mofos, but more like mini-Nightcrawlers. Meaning they can teleport as well. Quentin is blamed for the little skirmish since he has the new responsibility of running the school. Not that he wants to anyways, he doesn't feel he should be running the school, but the X-Men have trusted him with this responsibility. Via context clues, we learn that Quentin has a run-in with some future X-Men where he must've learned something about his future connection with the Phoenix. Still, he seems pretty hard-headed about his new responsibilities. It's clear he is scared of becoming the Phoenix, something even the younger Jean Grey is going through in the All-New X-Men series. But the biggest thing bothering Quentin is that he feels he can no longer choose his own destiny.
The whole issue ends with each of the different settings see a Phoenix insignia popping up on all TVs, computers, and phone screens.
It may be harsh, but Deanpool just didn’t connect with the
issue. Not too many old-school characters. Out of the new ones, none really seem relatable. It's hard to tell too much where this series will be headed or
who the real voice of the series really is. There's some tease to the beginning of the issue in what looked like a "flash forward" that Wolverine may die. That rumor has been floating around now, so maybe it will happen in this ongoing series. The book definitely has potential for some interesting
storylines, but doesn’t seem like "must read" material in the endless X titles.
But the art is top notch talent. Can't take anything away from that aspect of it. Maybe for big X-Men fans looking for a fresh set of X characters or for younger readers who can relate to the school-type environment. But for Deanpool 5.5/10 bamfs.
Not a bad set of debuts for the first week of March for Marvel NOW. Minus the Wolverine and the X-Men one. Moon Knight and Magneto look like some promising series that are showing a newer version and telling of Marvel characters that have been around for a while. Don't forget to check out the Weekly Pick-Ups from the same week as these debuts. Thanks for reading!
One of the best variants ever. |
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